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Told from a female zombie’s perspective, this smart, witty detective series mixes urban fantasy and romantic dramedy.
Gwendolyn “Gwen” Dylan is a 20-something gravedigger in an eco-friendly cemetery. Once a month she must eat a human brain to keep from losing her memories, but in the process she becomes consumed with the thoughts and personality of the dead person – until she eats her next brain. She sets out to fulfi ll the dead person’s last request, solve a crime or right a wrong.
Our zombie girl detective is joined by a radical supporting cast: her best friend Eleanor, who happens to be a swinging ’60s ghost, a posse of paintball blasting vampires, a smitten were-dog and a hot but demented mummy.
- Sales Rank: #412149 in eBooks
- Published on: 2013-07-23
- Released on: 2013-07-23
- Format: Kindle eBook
Amazon.com Review
Alex Carr Reviews iZombie for Omnivoracious
While fans of AMC’s The Walking Dead gnash their teeth in anticipation for the second season, Vertigo offers a surprising new take on the zombie genre this month with iZombie. Written by Chris Roberson and with artwork by cult favorite Mike Allred, Volume 1: Dead to the World is a significant tonal shift from most zombie comics on the market. It’s told from the perspective of a female zombie named Gwen Dylan, whose undead existence comes with a great twist: in order to maintain the pretense that she’s alive, Gwen must consume human gray matter once a month or else her zombie instincts take over. Along with the brainy aftertaste comes selective memories from the deceased, and Gwen is cursed with flashbacks that are not her own. It’s a tough gig, coupled with a job digging graves (bright side: her day job provides those necessary late-night snacks that she reluctantly craves), and the irony is not lost on her:
This is, by the way, totally some kind of symbol for my entire existence. Digging holes in the morning, filling them up in the afternoon, and sneaking in at night to dig ‘em back up again. Over and over. Like that guy in the Greek hell who rolled a big rock up and down a hill all day. What was his name? Syphilis? Something like that, anyway. Whatever. Seriously, though, I’d switch places with the dead Greek guy in a second.
Gwen’s best friend, Ellie, is a lonely ghost stuck in 1960s fashion, but she wears it well. Her melancholic state is just as interesting as Gwen’s predicament, and Roberson develops both female characters with an easy-going, natural manner, giving iZombie a refreshingly frank attitude. When Gwen’s oblivious coworkers ask her to join them after work, she off-handedly dismisses them: “I’ve got to wash my hair, or something suitably girly like that.” Even undead, Gwen is too cool--a graveyard hipster, hiding her secret under a thick coffin liner of aloofness.Once Gwen cracks the latest cranium and devours its innards, however, she uncovers a murder mystery that threatens to spoil her detached routine. She, Ellie, and their were-terrier pal, Scott, form an askew Scooby-Doo alliance to solve the case, and along the way they cross paths with a sorority comprised of vamping vamps, a pair of strange men in white coats, and a Hugh Hefner-esque mummy who might hold more answers than Gwen imagined.
Mike Allred’s pop art leanings imbue iZombie with a sly, ever-smirking temperament. His characters inhabit a canvas that’s instantly recognizable as his own: bold, unblended lines case characters who seem partially aware of the comic panels that frame their stories. They knowingly pose, at once a part of and removed from their backgrounds. The artwork is muddier than Allred’s Madman series, yet not as sharp-edged as his X-Force/X-Statix run. The paperback collection includes over ten pages of sketchbook material from Allred, and it’s fun to see his pencil-work before it gets handed off to his wife, Laura, for coloring.
Seattle fans of Chris Roberson can catch up with the writer at this weekend’s Emerald City Comicon 2011, to be held in the Seattle Convention Center. The official website has the full list of attendees and events, including panel discussions with creators and publishers, a list of comics vendors, a map of Artists Alley, and Q&As and autograph sessions with media guests. It’s an impressive batch of comics celebs, and I have my backissue checklist already queued up on my phone.
--Alex
About the Author
Chris Roberson's writing includes the novels Here, There & Everywhere, X-Men: The Return, End of the Century, Iron Jaw and Hummingbird, and Warhammer 40K: Dawn of War II. Michael Allred is an American comic book artist and writer most famous for his indie comics creation, Madman.
Most helpful customer reviews
28 of 30 people found the following review helpful.
Let's Tone Down Our Expectations Some...
By Dusty Bottoms is Dead & Gone
I am a huge HUGE fan of Mike Allred; I'll buy anything with his name on it. That said, you might not have as much enthusiasm as I do for him, and his art, in my opinion, is the main selling point for iZombie. I am a reluctant fan of the series. It's definitely not the first thing I'd recommend for those browsing for a new comic to read.
Chris Roberson has dipped his hand in many cookie jars, when it comes to literary genre's and mediums. He's written post-modern, mystery and science fiction novels, as well as numerous comic issues of Vertigo's Fables and related titles. I'm not exactly sure where his strengths lie, though sci-fi is his said preferred and most praised area of expertise. iZombie is not sci-fi, and I'm not sure he fully understands the comic medium enough to keep readers attention long enough to see the series through.
It's the pacing of the series, that for me, is all wrong. The characterization is solid, though I think a few characters are weak and generic. Also, not a whole lot happens. Aside from getting to know Gwen, her Friends and weird world they live in, 'Dead to the World' really doesn't offer much except a twist at the end that admittedly does make iZombie more interesting.
The premise is intriguing, but it's pretty simplistic, enough so, that it shouldn't take an entire 5 issue story arc to lay the foundation for it, which is all volume one really does. I'm not even sure it's necessary to read this arc to follow the rest of the series. The characters really don't need much of an introduction. The premise is pretty self-explanatory, and Gwen's self-revelation in issue #5, which could have easily of happened in issue 2, will be inevitably gone over and mentioned numerous times to keep new readers up to speed. 'Jumping On' points and keeping the continuity of a series accessible are both two things you can count on when it comes to most comics, especially Vertigo's.
The artwork is spectacular. Allred's 60's pop style is always a treat. It fits the series like a latex-glove, and does a top-notch job at distracting from how slow moving and slightly boring the story is.
I think the story has potential, but I'm waiting to see if the series will even last long enough to get better. Fables was kind of awful when it began. However, in time it grew into it's own, and it's totally awesome now.
If you're specifically interested in iZombie, it's worth a try. But if you're casually browsing comics and graphic novels, make sure you're collection is extensive enough to justify buying something so low on the must-own list.
Comic websites and forums are calling it a guilty pleasure. I call it a mild pleasure. I give it 3 stars, because (no offense to anyone) 5 star ratings aren't like ribbons at the Special Olympics. You don't get one just for participating. You can only set the bar so low before the ratings start to lose meaning. There are dozens of series that are much MUCH better. Unless you're saying iZombie is as good as Allred's Madman or Vertigo's American Vampire, than I just don't see how iZombie doesn't seem mediocre in comparison.
12 of 13 people found the following review helpful.
One of the best slacker zombie comics ever!
By A. KAPLAN
Gwen Dylan works as a gravedigger in a Eugene, OR cemetery by day. By night, she hangs out with her friends, tries to figure out the meaning of her life, and tries to just survive.
But her friends are a ghost and a werewolf (or, more accurately, were-terrier). Gwen survives by eating brains once a month, in the process absorbing the memories of the recently-deceased and -consumed and finding herself compelled to resolve any unfinished business they've left behind. Because Gwen is a zombie, but not just a mindless, shambling corpse. She is still the same person she was before she died (as far as she can remember, which isn't 100%). Why is she so special? That's what she wants to find out.
She and her friends aren't the only monsters in Eugene. There's a pack of vampires, running a paintball range. And there's a couple of monster hunters, including Horatio. Gwen should probably stay away from him, before he finds out who, or what, she really is. If only he weren't so darn cute!
Chris Roberson creates a group of interesting, three-dimensional characters in iZombie, and through them tells a story that's both hilarious and horrifying. But it's never predictable. Mike Allred's art is clean, clear, and detailed. He gives each character their own distinct look, and perfectly captures the tone of Roberson's story.
This is only the first installment in the adventures of Gwen and her friends, collecting the first five issues of their monthly comic. I can't wait to read more!
4 of 4 people found the following review helpful.
I love this series...
By chh1138
If you're looking for something similar to The Walking Dead, this isn't it. This is a much more light-hearted comic. Great art by Mike Allred (but am I the only one that thinks Gwen looks like Debbie Harry? Not that that's a bad thing). If you're looking for a fun, quick read about zombies, vampires, and were-dogs, with a bit of Portlandia thrown in, this is for you.
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