Jumat, 25 April 2014

^^ PDF Ebook Batman: The Dark Knight Vol. 2: Cycle of Violence (The New 52) (Batman: The Dark Knight series), by GREGG HURWITZ, DAVID FINCH

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Batman: The Dark Knight Vol. 2: Cycle of Violence (The New 52) (Batman: The Dark Knight series), by GREGG HURWITZ, DAVID FINCH



Batman: The Dark Knight Vol. 2: Cycle of Violence (The New 52) (Batman: The Dark Knight series), by GREGG HURWITZ, DAVID FINCH

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Batman: The Dark Knight Vol. 2: Cycle of Violence (The New 52) (Batman: The Dark Knight series), by GREGG HURWITZ, DAVID FINCH

The Scarecrow has returned to Gotham City, but he's no longer the meek punching bag Batman is used to. The villainous genius has always preyed on the worst fears of his victims, but has refined his legendary fear toxin to even greater effectiveness and deadlier consequences. As the Scarecrow's origin is unfurled, Batman must find out not only how to conquer this dangerous psychopath, but how to beat his own worst fear.

Written by New York Times best-selling crime thriller novelist Gregg Hurwitz and art from comics superstar David Finch, BATMAN: THE DARK KNIGHT VOLUME 2: CYCLE OF VIOLENCE is a terrifying look into the dark psyche of one of Gotham's most twisted villains.

Collects from BATMAN: THE DARK KNIGHT #10-15 and #0.

  • Sales Rank: #517672 in eBooks
  • Published on: 2014-12-16
  • Released on: 2013-07-23
  • Format: Kindle eBook

Review
"Finch's quality of art lives up to the hype with his detailed panels and sharp lines - all designed to explode off of the page"—Tampa Bay Examiner

"Finch's detailed, moody style works well on Gotham City and its Dark Knight"—Newsarama

About the Author
Gregg Hurwitz is the New York Times bestselling author of 12 thrillers, most recently, The Survivor. His novels have been shortlisted for numerous literary awards, graced top ten lists, and have been translated into 22 languages. He has also written BATMAN: THE DARK KNIGHT and PENGUIN: PRIDE AND PREJUDICE for DC Comics as well as Wolverine and Punisher for Marvel. He has also produce

Most helpful customer reviews

8 of 8 people found the following review helpful.
"Batman: The Dark Knight Volume 2: Cycle of Violence" Pits Our Hero Against a Grimmer Scarecrow
By ERSInk . com
There've been many complaints from comic book fans over DC's New 52 reboot. It's been proven time and again nobody likes change. However, one thing I've noticed with the Bat-Family books is a newfound dedication to fleshing out the villains and making them more menacing and disturbing than ever before. "Batman: The Dark Knight Volume 2: Cycle of Violence" is a perfect example.

"Batman: The Dark Knight Volume 2: Cycle of Violence" collects issues #10 through #15 and #0 of the series. It's made up of one story-arc and a quick look into Bruce Wayne's past. I would say this is probably one of the most focused graphic novel collections I've read in a while.

Issues #10 through #15 find Batman facing his own fears as the Scarecrow returns to Gotham City to wreak havoc. The psychotic super-villain refines his fear toxin using kidnapped children and is ready to unleash it upon the people of Gotham. The Dark Knight must simultaneously find the missing captives and save the city from sinking further into madness.

Issue #0 gives readers more of Bruce Wayne's origin story. "Chill in the Air" awards us insight into the investigation of the man who killed his parents. Our hero suspects his parents' death was not just a random mugging. There must be a more sinister motive behind it. Bruce scours Gotham City in search of the truth and may not like what he finds.

Writer Greg Hurwitz pens both stories for "Batman: The Dark Knight Volume 2: Cycle of Violence." He digs deep into the origin of the Scarecrow and gives the character deeper emotional depth. While not justifying the atrocities the criminal commits, Hurwitz adds a sympathetic layer to him. He also shows a vulnerable and softer side of Batman we don't get to see often.

David Finch skillfully handles the art for the Scarecrow story-arc. His image of the demented Dr. Jonathan Crane adds a whole new level of terror to the character. It borders on something you see in contemporary horror comics.

Artists Mico Suayan and Juan Jose Ryp illustrate issue #0. It feels as if this was split evenly between the two. The first portion of the book shows the artist's taste for shadowing and a noir flavor. The second half is more precise and not as grim. The contrast between Suayan and Ryp's styles keeps things interesting instead of acting as a distraction.

"Batman: The Dark Knight Volume 2: Cycle of Violence" is rated "T" for teens. Basically, it's the equivalent of a PG-13 rating for a movie. There're some adult situations, violence, and gruesome images.

We're treated to five pages of David Finch's penciled pages as bonus material for "Batman: The Dark Knight Volume 2: Cycle of Violence." It's always interesting to see the different levels of the creative process that go into making a comic book. These stripped down illustrations give us a glimpse at Finch's magnificent talent before color and narrative is added.

"Batman: The Dark Knight Volume 2: Cycle of Violence" is an exciting addition to the library of any fan of the Caped Crusader. If possible, it's a darker descent into the world of one of DC's greatest super heroes than we've seen before. It's a must-own graphic novel packed full of action, drama, terror, and emotion.

9 of 10 people found the following review helpful.
New Writer, New Direction, and a New Cycle
By Anarchy in the US
Since the beginning of the New 52 re-launch, there are four different Batman books out. Scott Snyder's Batman is the main Bat-title with super-hero antic, Peter Tomasi's Batman & Robin that looked at the father and son relationship, Detective Comics having Batman being more forensic/detective, and there is Batman: The Dark Knight, being more action based, with more villains and more occult/horror/science fiction about it. But that was the original intent of this series when it started under David Finch. Now the direction of the series has changed with Penguin: Pain and Prejudice writer Gregg Hurwitz takes over and Finch being artist. The series is still horror/occult, but now it's more character driven, with Hurwitz focuses arcs on lesser known Bat-Rouges. How does the new team fair compared to the first 9 issues? Much better in my opinion.

BATMAN: THE DARK KNIGHT VOL.2: CYCLE OF VIOLENCE collects issues #10-15 and #0. Numerous children are being abducted all around Gotham, then the children mysteriously get found and come back utterly changed with symptoms of fear and loathing. It appears like Jonathan Crane, AKA Scarecrow, is back in town and causing trouble with his fear toxins and it's up to Batman to stop Crane's new plot. And Batman's alter ego, Bruce Wayne, is dealing with a new love in his life, Ukrainian model/pianist Natalya, and things aren't quite going in Bruce's favor.

Hurwitz taking over as writer for Dark Knight, in my opinion, is what the series should have been from the beginning of issue #1. I liked certain aspects of volume #1's premise of fighting each of Batman's rouge galleries every issue, but I felt like it got repetitive and directionless. It needed a change to keep it alive. Hurwitz now takes the same premise he did for Penguin: Pain & Prejudice, and makes this book about the inner workings of Jonathan Crane for the New 52. Using the "Cycle of Violence" title, Crane grew up being experimented on for the effects of fear by his father, with Crane himself now doing the same thing for the children of Gotham. And Bruce Wayne's life of growing up intercedes with Cranes upbringing, making a Batman/Scarecrow connection on making two characters based on fear into a pretty darn good character study. This is not an action packed book like it once was (there still is some piece of action here and there), but the character building here is a big plus for me and the series.

Further study goes into the Bruce Wayne human aspect a bit in dealing with Natalya and being "normal". Now I know ladies are not a new thing for Bruce Wayne stories because they mostly always end up the same way (I mean, are women going to stay attached to a guy with a secret identity?), but at least Hurwitz gives Natalya something different about making her more self reliant and easily pushed over by Bruce being Bruce. Thankfully this little story plot is small compared to the Scarecrow/Batman study, but it will be interesting to see where this love affair goes in latter issues.

Issue #0 is basically an origin story of when Joe Chill shot Bruce's parents and Bruce is out looking for Joe Chill. Brand spanking new Batman fans will enjoy this origin, but everyone who knows Bruce's story will not find anything new here. It's done well for what it has been cover a million times in comics, but again, it's nothing new for most readers and is just mediocre. Art is shared by Mico Suayan and Juan Jose Ryp who do a fine job together, though I do feel Suayan's dark art would work well for this series if he ever gets the chance.

As for art, David Finch still doing art and it is exquisite. Finch's art with Hurwitz script makes for an utterly dark and scary book that you will feel a sense of dread and despair the whole way through. It almost feels like Finch was born to draw Scarecrow. The character design may not be anything different, but Finch draws Scarecrow like a skinny spider, with a drooling stitched up mouth, and cracked eyes. He looks menacing the entire time and comes off greatly. If there is anything to love about this book, it is the art.

As for problems, you first thing is the direction change. Like I mentioned, this series is now about character studies on lesser Bat-villains and less action, so if you enjoyed volume 1, you might not like this new direction (and vice-a-versa). The other aspect is the book is slower, which 3 issues alone going on about Scarecrow/Batman's complex character opposition, so this is a slower book. Some aspects Hurwitz/Finch write and draw does have questionable aspects (a maternity ward right out on the street? Okay...) and there are times Batman really seems out of character (but then, I think every Batman book gets judged on that aspect). And Finch's art can get really bleak, almost feeling like one is in despair, so it might feel off putting.

Overall, BATMAN: THE DARK KNIGHT VOL.2: CYCLE OF VIOLENCE is a good new change of direction for this series being more character driven, focus on lesser known Bat-villains, and has A-list art from Finch. But the series is a bit slow compared to other Bat-titles, there is some questionable change in characters from Batman, and the #0 issue is mediocre. I'll score the book a 3 ½, but I do like the direction of the book so I'll round up to 4 stars. I love this series is giving lesser villains some time to shine, with the Mad Hatter getting his own story arc in Batman - The Dark Knight Vol. 3: Mad (The New 52).

1 of 1 people found the following review helpful.
The second volume of this Batman horror series is quite a bit better than the first...
By N. Beitler
Title: Batman: The dark Knight Volume 2: Cycle of Violence (HC)
Publisher: DC
Writer: Gregg Hurwitz
Artists: David Finch, Mico Suayan, Juan Jose Ryp (pencils), David Finch, Richard Friend, Vincente Cifuentes (inks), Sonia Oback (colors), David Finch, Richard Friend, Jeremy Cox (covers)
Collects: Batman: The Dark Knight #0, 10-15
Price: $22.99

Batman: The Dark Knight differentiates itself from the other Batman titles in two significant ways:

1. It is primarily a solo book. Batman will be found in solo adventures in pretty much every issue of this series.
2. The book borders on being a horror title. The book is quite dark in terms of both art and topic material.

If that is the sort of book you are looking for from DC, then this is it. In this book you will find the creepy Batman villains engaged in all sorts of horrific endeavors. The stories are bloody and have a high body count. The Gotham City you will find in this book is NOT a place that you (or anyone else) would want to live. Police officers and citizenry are murdered by the hundreds, each year, by psychotic individuals. Child abductions are rampant. Arson is commonplace. And who is the ONE guy trying to stop it all? A rich guy who dresses as a bat! And that guy is beaten to within an inch of his life in every single story arc!

On its own, the book stands up just fine. The dark art and storylines are OK by my standards. Scary villains, likewise, are OK. Taken with the other Batman books and the large DC universe as a whole, however, the book doesn’t seem to make a lot of sense. In the DC universe, Gotham City has got to be the most crime-ridden and dangerous metropolitan area in the United States. As such, wouldn’t the majority of costumed crime fighters make their way over there to try to stanch the bleeding? Leaving one non-powered individual to fight them on his own just doesn’t make sense. But… that’s what you get in the stories of this book.

Ranting aside, this S a decent book. Gregg Hurwitz does a fine job creating some truly creepy villains, and the dark stories are perfectly complimented by Finch’s notably dark pencils and inks. The overall artwork is very, very good. This book certainly won’t be for everyone, and I DEFINITELY would not recommend it for children if you want them to sleep at night. It isn’t my favorite Batman title, but some readers may prefer Batman as a solo crime-fighter who tests his brains and brawn against some of the most dangerous psychotics on the planet.

Writing: 8/10
Artwork: 9/10
Cool Factor: 7/10
Value: 7/10

Overall: 7.75/10

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