Kamis, 13 November 2014

!! Free Ebook Crime and Thriller Writing: A Writers & Artists Companion (Writers? and Artists? Companions), by Michelle Spring, Laurie R. King

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Crime and Thriller Writing: A Writers & Artists Companion (Writers? and Artists? Companions), by Michelle Spring, Laurie R. King



Crime and Thriller Writing: A Writers & Artists Companion (Writers? and Artists? Companions), by Michelle Spring, Laurie R. King

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Crime and Thriller Writing: A Writers & Artists Companion (Writers? and Artists? Companions), by Michelle Spring, Laurie R. King

Crime and Thriller Writing: A Writers & Artists Companion is an essential guide to writing in these exciting genres.

PART 1 explores the nature and history of the genre and helpsyou get started with ideas, planning and research.

PART 2 includes tips by bestselling crime writers: Mark Billingham, S.J. Bolton, Alafair Burke, Lee Child, N. J. Cooper, Meg Gardiner, Tess Gerritsen, Sophie Hannah, Jim Kelly, Laura Lippman, Gayle Lynds, Alex McBride, Val McDermid, Dreda Say Mitchell, Sara Paretsky, Jill Paton Walsh, George Pelecanos, Ian Rankin, Peter Robinson, S. J. Rozan, Guy Saville, Yrsa Sigurðardóttir, Dana Stabenow, Andrew Taylor, Charles Todd and Laura Wilson. PART 3 contains practical advice--from shaping plots and exploring your characters to the meaning of writers block, the power of the rewrite, and how to find an agent when your novel is complete.

  • Sales Rank: #441176 in eBooks
  • Published on: 2013-08-15
  • Released on: 2013-08-15
  • Format: Kindle eBook

Review
This well organized, welcoming volume will be of interest to writers who are embarking upon writing crime fiction. Readers of the genre might also enjoy finding out more about the process that their favorite writers go through to create gripping works of mystery and suspense. The volume works as a reference resource, to identify specific items of interest, but could also be read from cover to cover. (Annette Haldeman, Dept. of Legislative Services, Maryland General Assembly, USA Library Journal)

About the Author

Michelle Spring has published six crime novels including Every Breath You Take (short-listed as Best First Novel for both an Anthony and an Arthur Ellis Award), Nights in White Satin, In the Midnight Hour (winner of the Arthur Ellis Award for Best Novel) and The Night Lawyer. She mentors novelists, and teaches both creative writing and academic writing. She is currently Royal Literary Fellow at Magdalene College, Cambridge.

Laurie R. King has twenty-three novels in print, most of them crime novels, that include the wildly popular Mary Russell/Sherlock Holmes series (The Beekeeper's Apprentice, Garment of Shadows). Her novels have won the Edgar, Creasey, Wolfe, Lambda, and Macavity awards, and appear regularly on the New York Times bestseller list.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Not genre-specific enough and a very weak chapter on "Plotting"
By Ewe Paik Leong
If you own Writer's Digest's "Write Great Fiction" series, like I do, or a collection of similar books, you will regret buying this book. Chapters 1 and 2 of Part 1 seemed to promise great stuff with introductory discussions about crime and crime writing. But further down the line, things start to get watered down from crime-specific tips to general guidelines on storycraft applicable to almost any genre. The chapter on "Plotting" (only 13 pages) was a wishy-washy discussion on the "organic approach" vs the "orderly approach" (pantser vs outliner). It was a far cry from my expectation of solid nuts-and- bolts on plotting. Which brings me to my recommendation. For an excellent and detailed step-by-step treatment on plotting a thriller and mystery, go for James Frey's "How to Write a Damn Good Mystery" and "How to Write a Damn Good Thriller". Don't get both, buy either, as there's duplication of material.) "Part II: Tips and Takes" did not keep me from nearly dozing off. For example, Lee Child's essay in large part discussed that homo sapiens out-survived the Neanderthals because the former were able to communicate. Then story-telling over a roaring fire in caves was invented, blah, blah, blah. Two other contributors defended the relevancy of the locked-room mystery (for which British writer Agatha Christie was famous for) in current times. Maybe they being British had something to do with their opinions. "Part 3: Write on: Getting Your Story Across" is near-useless to published writers. Only the chapter "Distinctive Elements of Crime Fiction" hit the bull's eye on what this book was supposed to deliver. But overall, as a touted how-to on crime and thriller writing, this book misses its target by a mile!

0 of 0 people found the following review helpful.
So You Want To Write a Crime or Thriller Novel? Buy This!
By Rebecca Swope
A primer on how to write crime and thriller novels, this book takes you through the process, and gives you pointers from the best in the business. A definite thumbs-up!

See all 2 customer reviews...

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