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This first collection of Mike Bartletts plays showcases the adroit expertise and flair of a writer known for laser-sharp political comment, tight dialectics and needlingly real characters.
My Child is a gut-wrenching exploration of the lengths a father will go to to have access to his child. The play creates a violent world where good intentions count for very little, and offers an incisive, honest look at what it means to be a good parent.
Contractions is an ink-black comedy about work and play: Emmas been seeing Darren. She thinks shes in love. Her boss thinks shes in breach of contract. The situation needs to be resolved.
Artefacts depicts a father-daughter reunion which, after 16 years, crosses between the world of a British teenager and an Iraqi expert in antiquity, and is complicated by the ambivalent gift of a precious Mespotamian vase.
Cock is a punchy play which takes a playful, candid look at one mans sexuality and the difficulties that arise when you realise you have a choice.
- Sales Rank: #984246 in eBooks
- Published on: 2013-08-01
- Released on: 2013-08-01
- Format: Kindle eBook
About the Author
Hailed by Stage as 'one of the most exciting new talents to emerge in recent times', Mike has worked with various theatres since graduating including Paines Plough, the Royal Court, Soho and Hampstead. He is a winner of the Old Vic New Voices Award and is currently participating in the prestigious Pearson Playwrights Scheme. His plays include Cock (Royal Court), Artefacts (Bush Theatre) and Earthquakes in London (Headlong/National Theatre).
Most helpful customer reviews
4 of 4 people found the following review helpful.
Gripping, Contemporary Dramatic Writing
By Jaybee90069
Bartlett is a brilliant sculptor of emotional conflict. The language is precise, contemporary and stark. With a tight focus on simple but compelling interpersonal struggles, he peels his way to the core of some very complex and specific 21st Century characters. You could probably call him an heir to Pinter, both in style and in the way he makes poetry out of small but emotionally/politically/sexually charged personal interactions. His characters are ordinary people. But he shows them in all their inner turmoil and complexity. There are no easy answers or pat endings to these plays. Typically, a Bartlett character starts out with a specific, tough problem. But in resolving it, he or she usually ends up with a wider and bleaker view of human existence. For that reason these are not "feel good" stories. But they're very good, maybe even very important, plays. This is a must-read for anyone writing plays in 2012 and probably also for anyone interested in contemporary theatre.
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